https:\/\/eeter.err.ee\/1609415941\/eesti-rahvusballeti-esisolist-anna-roberta-dieedikultuur-on-minevik<\/a><\/p>\nToimetaja:\u00a0Aet Kubits
\n<\/span>Allikas:\u00a0R2 “Hommik”, intervjueerisid Bert J\u00e4rvet ja J\u00fcri Muttika<\/span><\/p>\nEstonia baleriin Anna Roberta (1999) sai solistiks 2022. aastal ning esitantsijaks 2023. aastal. T\u00e4nap\u00e4eval on tema s\u00f5nul muutunud aina tavalisemaks see, et tantsijad on esisolistid nooremana. N\u00e4iteks on Pariisi ooperi t\u00e4ht Robertast kolm aastat noorem. Baleriini solistikarj\u00e4\u00e4r s\u00f5ltub Roberta hinnangul suuresti \u00f5nnest. “Mul vedas v\u00e4ga, sest sain noorena tantsida palju rolle: mind visati vette ja vaadati, kas ujun v\u00f5i upun,” selgitas tantsija.<\/p>\n
Solistiks saamise puhul on Roberta s\u00f5nul olulised nii kogemus kui ka peaballetmeistri otsus. “Solistiks saab kilometraa\u017ei p\u00f5hjal (kui palju sa tantsid ja mida); esitantsija on aga inimene, kes esindab Eesti rahvusballetti,” nentis Roberta. Kui esitantsija roll on kirjas baleriini lepingus, siis priimabaleriin on pigem levinud tiitel rahvasuus.<\/p>\n
K\u00f5ige esimene solistiroll oli Robertal “Luikede j\u00e4rves”. See on baleriini s\u00f5nul v\u00e4ga ebatavaline, kuna enamasti alustatakse v\u00e4iksemate ja v\u00e4hem t\u00e4htsate rollidega ning alles aastate p\u00e4rast usaldatakse tantsijale niiv\u00f5rd suur osa. Robertal l\u00e4ks aga h\u00e4sti. “Olen teinud nii “Luikede j\u00e4rve” kui ka “Anna Kareninat”. Viimane oli minu unistuste rollile v\u00e4ga l\u00e4hedal,” nentis Roberta. Unistuste rolle tekib tantsija s\u00f5nul ajaga aina juurde.<\/p>\n
Laval olles m\u00f5tleb baleriin eelk\u00f5ige sellele, et temal endal oleks hea tunne. “See, kuidas mina laval olen, on minu ja kindlasti ka \u00f5petaja maitse,” kommenteeris Roberta. Tema s\u00f5nul on oluline, et tantsija leiaks endale \u00f5petaja, kelle maitse kattuks tema omaga.\u00a0“N\u00e4iteks mina olen h\u00e4sti pikk, Plissetskaja oli aga v\u00e4ga l\u00fchike. Kui mina hakkaksin Plissetskajat j\u00e4ljendama, siis tuleks sellest koomiline “Luikede j\u00e4rv””, muigas tantsija.<\/p>\n
Trenn on Roberta s\u00f5nul baleriinide jaoks p\u00fcha asi, mida tehakse iga p\u00e4ev. Baleriini n\u00e4dal on jagatud trennide, proovide ja etenduste vahel. “N\u00e4iteks on meil \u00fches kuus kolm v\u00f5i neli etendust, millest k\u00f5iki peab ju harjutama,” selgitas baleriin. Kaks korda n\u00e4dalas toimuvad etendused ning siis l\u00f5ppeb p\u00e4ev varem.<\/p>\n
P\u00e4rast eriti olulist etendust l\u00e4heb Roberta t\u00e4histamiseks \u00f5htust s\u00f6\u00f6ma. “Kui on tegu erilise etendusega, siis ma l\u00e4hen pitsat s\u00f6\u00f6ma ning joon k\u00f5rvale klaasi \u00f5lut,” muljetas Roberta. Kuigi see ei k\u00e4i kokku stereot\u00fc\u00fcpse arusaamaga \u00fche baleriini dieedist, s\u00f6\u00f6vad tantsijad tema s\u00f5nul v\u00e4ga palju. “Dieedikultuur on j\u00e4\u00e4nud \u00f5nneks minevikku. N\u00fc\u00fcd on hakatud aru saama, et kui sa oled tippsportlane, siis sa pead ka s\u00f6\u00f6ma nagu tippsportlane,” r\u00f5hutas tantsija.<\/p>\n
Leigo J\u00e4rvemuusikal esietendub 10. augustil ballett “Aju”, kus teeb kaasa ka Anna Roberta, kelle arvates oli aju rolli v\u00e4ga p\u00f5nev luua. “Me oleme kaardistanud mingid ideed, kuidas aju peaks t\u00f6\u00f6tama ja \u00fcritame neid tantsu keeles v\u00e4ljendada \u2013 see on \u00fclimalt p\u00f5nev. N\u00e4iteks j\u00e4ljendame ajuneuronite liikumist. Palju on katsetamist ja \u00fcksteise tundmist,” kommenteeris tantsija lavastuse protsessi.<\/p>\n
\u00dcldiselt baleriinid suviti lavastustes kaasa ei tee, vaid taastuvad hooajast. “Esimene n\u00e4dal p\u00e4rast hooaja l\u00f5ppu keha lihtsalt valutab: kogu valu, mida oled terve hooaja alla surunud, kerkib siis esile,” r\u00e4\u00e4kis Roberta ning lisas, et kui ka suvel etendusi antakse, siis enamasti pole need klassikalised. “Suvel me end klassikalises vormis ei hoia,” nentis baleriin.<\/p>\n
\n
Tervis on baleriinidel habras ning \u00fcks v\u00f5i kaks v\u00e4iksemat vigastust hooajas on normaalne. “Minul on karj\u00e4\u00e4ri jooksul olnud kaks v\u00f5i kolm suuremat vigastust, mis on mind mitmeks kuuks rivist v\u00e4lja viinud. Aga v\u00e4iksemaid vigastusi juhtub kogu aeg: k\u00fc\u00fcned kukuvad \u00e4ra, jalad on krampis, keha on sinikaid t\u00e4is,” nentis Roberta. Lisaks on baleriini perearst n\u00fc\u00fcdseks tema elukutse ise\u00e4rasustest teadlik. “Minu perearst ei k\u00fcsi enam ammu, miks ma alakaalus olen,” muigas baleriin.<\/p>\n
Kui vanasti pidasid baleriinid oluliseks n\u00e4iteks Maria teatrit, siis t\u00e4nap\u00e4eval tahetakse v\u00e4lja j\u00f5uda igale poole. N\u00e4iteks on prestii\u017esed kompaniid t\u00e4nap\u00e4eval La Scala ja balletikollektiiv BalletMet. Roberta toob v\u00e4lja, et hiljuti on esile kerkinud ka Austraalia balletiteater, kuna see tegeleb tantsijate j\u00f5utreeninguga. “See on maailma esimene balletiteater, kus on olemas eraldi tiim, mis on p\u00fchendatud tantsijate tervisele,” r\u00f5hutas Roberta.<\/p>\n
T\u00e4nap\u00e4eval on baleriinide karj\u00e4\u00e4r l\u00e4inud \u00fcllatavalt pikemaks. N\u00e4iteks Inglise Rahvusballeti esitantsija on 42-aastane, Itaalias on samuti tantsijaid, kes on \u00fcle 55 aasta vanad. “See, kui pikalt karj\u00e4\u00e4r kesta v\u00f5ib, on h\u00e4sti individuaalne ja oleneb tantsija tervisest. Kui pikalt sa tahad seda karj\u00e4\u00e4ri teha, on teine k\u00fcsimus. Vanasti oli Eestis tavaks, et baleriin tantsib kuni riikliku pensioni saamiseni: see t\u00e4hendab 20 aastat t\u00f6\u00f6d teatris,” selgitas Roberta. “Minul seda enam ei ole, nii et mina tantsin, kuni indu j\u00e4tkub,” lisas baleriin.<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"
Estonias solistikarj\u00e4\u00e4ri alustanud Anna Roberta peab tantsides oluliseks enda maitse j\u00e4rgimist. Tema s\u00f5nul on t\u00e4nap\u00e4eval muutunud aina tavalisemaks see, et tantsijad saavad esisolistiks noores eas. https:\/\/eeter.err.ee\/1609415941\/eesti-rahvusballeti-esisolist-anna-roberta-dieedikultuur-on-minevik Toimetaja:\u00a0Aet Kubits Allikas:\u00a0R2 “Hommik”, intervjueerisid Bert J\u00e4rvet ja J\u00fcri Muttika Estonia baleriin Anna Roberta (1999) sai solistiks 2022. aastal ning esitantsijaks 2023. aastal. T\u00e4nap\u00e4eval on tema s\u00f5nul muutunud aina…<\/p>","protected":false},"author":1,"featured_media":4947,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[23],"tags":[],"class_list":["post-4946","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-meedia"],"yoast_head":"\n
Eesti Rahvusballeti esisolist Anna Roberta: dieedikultuur on minevik - Anna Roberta<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/annaroberta.com\/en\/meedia\/eesti-rahvusballeti-esisolist-anna-roberta-dieedikultuur-on-minevik\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Eesti Rahvusballeti esisolist Anna Roberta: dieedikultuur on minevik - Anna Roberta\" \/>\n<meta property=\"og:description\" content=\"Estonias solistikarj\u00e4\u00e4ri alustanud Anna Roberta peab tantsides oluliseks enda maitse j\u00e4rgimist. 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Tema s\u00f5nul on t\u00e4nap\u00e4eval muutunud aina tavalisemaks see, et tantsijad saavad esisolistiks noores eas. https:\/\/eeter.err.ee\/1609415941\/eesti-rahvusballeti-esisolist-anna-roberta-dieedikultuur-on-minevik Toimetaja:\u00a0Aet Kubits Allikas:\u00a0R2 \"Hommik\", intervjueerisid Bert J\u00e4rvet ja J\u00fcri Muttika Estonia baleriin Anna Roberta (1999) sai solistiks 2022. aastal ning esitantsijaks 2023. aastal. T\u00e4nap\u00e4eval on tema s\u00f5nul muutunud aina...","comment_info":"0","_links":{"self":[{"href":"https:\/\/annaroberta.com\/en\/wp-json\/wp\/v2\/posts\/4946","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/annaroberta.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/annaroberta.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/annaroberta.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/annaroberta.com\/en\/wp-json\/wp\/v2\/comments?post=4946"}],"version-history":[{"count":1,"href":"https:\/\/annaroberta.com\/en\/wp-json\/wp\/v2\/posts\/4946\/revisions"}],"predecessor-version":[{"id":4948,"href":"https:\/\/annaroberta.com\/en\/wp-json\/wp\/v2\/posts\/4946\/revisions\/4948"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/annaroberta.com\/en\/wp-json\/wp\/v2\/media\/4947"}],"wp:attachment":[{"href":"https:\/\/annaroberta.com\/en\/wp-json\/wp\/v2\/media?parent=4946"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/annaroberta.com\/en\/wp-json\/wp\/v2\/categories?post=4946"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/annaroberta.com\/en\/wp-json\/wp\/v2\/tags?post=4946"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}