{"id":3932,"date":"2020-03-03T11:59:00","date_gmt":"2020-03-03T11:59:00","guid":{"rendered":"https:\/\/annaroberta.com\/?p=3932"},"modified":"2021-11-08T20:09:37","modified_gmt":"2021-11-08T20:09:37","slug":"andestuse-alistav-vagi","status":"publish","type":"post","link":"https:\/\/annaroberta.com\/en\/meedia\/andestuse-alistav-vagi\/","title":{"rendered":"Andestuse alistav v\u00e4gi"},"content":{"rendered":"
Heili Einasto, Postimees 3. m\u00e4rts 2020<\/h5>\r\n\r\n\r\n\r\n
https:\/\/leht.postimees.ee\/6914083\/andestuse-alistav-vagi<\/a><\/h6>\r\n\r\n\r\n\r\n
Iga uue tantsija tulek repertuaaris olevasse lavastusse toob v\u00e4lja selle uued tahud ning annab v\u00f5imaluse uuesti m\u00f5testada vana tuntud lugu. Asi muutub veelgi huvitavamaks, kui rollideb\u00fc\u00fcdi teeb meie oma balletikooli kasvandik, kes tuttav juba \u00f5pingute p\u00e4evilt.<\/h6>\r\n\r\n\r\n\r\n

Just selline on lugu Anna Roberta [Lahesoo]* puhul, kelle kaunis elegantne kuju, pikad liinid ja m\u00e4nguline natuur on eriliselt meelde j\u00e4\u00e4nud Triinu Upkini lavastatud d\u017e\u00e4ssballetist ja \u00abUinuva kaunitari\u00bb Sirelihaldjana. Anna Roberta deb\u00fc\u00fct \u00abLuikede j\u00e4rves\u00bb 12. veebruaril oli teada v\u00e4hestele asjassep\u00fchendatuile, kuid seda suurem r\u00f5\u00f5m oli olla selle s\u00fcndmuse tunnistajaks. J\u00e4rgnevalt p\u00fc\u00fcan edastada seda, mida ma lavalt n\u00e4gin \u2013 eelk\u00f5ige kaksikrolli sisulist poolt, j\u00e4ttes tantsutehnilised \u00fcksikasjad pedagoogide kommenteerida.<\/span><\/p>\r\n

Lavaline keemia oli tunda\u00a0<\/span><\/h6>\r\n

Anna Roberta Odette m\u00f5jub enesekindla ja sihiteadliku noore naisena, kel n\u00e4ib olevat kogemus ka armastuse heitlikkusega, sest tema suhtumine j\u00e4rve \u00e4\u00e4rde j\u00f5udnud printsi on algul \u00fcsna ambivalentne. Armumine toimub j\u00e4rk-j\u00e4rgult adagio v\u00e4ltel, kuid see on eelk\u00f5ige reaktsioon printsi vaimustusele ja joovastunud tundepuhangule.\u00a0<\/span><\/p>\r\n

Printsi kehastav Kealan McLaughlin on rollis k\u00f5vasti kasvanud ning lavaline keemia Anna Roberta Odette\u2019iga oli saali n\u00e4ha ja tunda. Hetked, mil Anna Roberta Odette puudutab printsi, tekitavad printsis tugeva emotsioonilaengu: noormees l\u00e4heb silman\u00e4htavalt s\u00e4rama ning tema \u00f5nnetunne voolab \u00fcle rambi, nii et see on vist tunda II r\u00f5du viimasesse rittagi. Tantsijate pilkude ja puudutuste keele rikkus v\u00f5imendub kehalistes reaktsioonides, mis klassikalisele vormile vaatamata hingavad sensuaalse v\u00e4ega.\u00a0<\/span><\/p>\r\n

Anna Roberta Odette II vaatuses on oma tunnetes ja nende v\u00e4ljendustes vaba, tema armastuses puudub see hillitsetus, mis iseloomustab \u00abvaga vesi, s\u00fcgav p\u00f5hi\u00bb t\u00fc\u00fcpi Odette\u2019e. Anna Roberta Odette , kui ta on j\u00f5udnud \u00e4ratundmisele, et ehk siiski tasub seda printsi usaldada, ei k\u00f5hkle seda avaldamast, kuid ta s\u00e4ilitab teatud ettevaatuse, mis ei lase tal, erinevalt printsist, vaatuse l\u00f5pu coda juubeldust tunda. Ja tema reserveeritus n\u00e4ib III vaatuse taustal olevat \u00f5igustatud \u2013 prints ju murrab talle antud truudusvande, mis sest et eksikombel.\u00a0<\/span><\/p>\r\n

Aga Anna Roberta Ottilie teeb printsi eksituse m\u00f5istetavaks \u2013 ta on t\u00f5esti Odette\u2019i teine pool. Kui Odette on raskemeelne ja v\u00e4\u00e4rikas, siis Ottilie m\u00f5jub \u00fclemeeliku, vingerpusse armastava t\u00fctarlapsena, kes isa Rotbart\u2019i soovil printsi v\u00f5rgutab. (Muide, suurep\u00e4rane silmside ja kontakt Anatoli Arhangelski Rotbart\u2019i ja Anna Roberta Ottilie vahel \u2013 isa tahe annab Musta Luige tembutamisele fookuse ja j\u00f5u.) Anna Roberta Ottilie v\u00f5rgutab printsi lustlikult, tema tegudes peaaegu puuduvad halvad tagam\u00f5tted: see on oma v\u00f5imete proovilepanek, v\u00f5istlus Odette\u2019i (v\u00f5i iseenda) t\u00f5sidusega.\u00a0<\/span><\/p>\r\n

Vallatu trikster<\/span><\/h6>\r\n

Temas on vallatut triksterit, kes veab inimesi ninapidi l\u00f5bu ja m\u00e4nguhimust. Ning prints reageerib naise v\u00f5ludele sama usaldusega, mida Odette tundis l\u00f5puks mehe vastu: j\u00e4rve \u00e4\u00e4res v\u00f5is ju Odette olla m\u00f5tlik ja oma saatuse p\u00e4rast mures, aga siin, ballil v\u00f5ib ju vallatleda, sest kohe-kohe saab kuri v\u00f5luv\u00f5im murtud \u2013 v\u00f5i v\u00e4hemalt n\u00f5nda tundus see printsile.<\/span><\/p>\r\n

Veelgi enam: I vaatuse taustal sobis Ottilie vallatlemine printsi meelelaadiga isegi rohkem kui Odette\u2019i v\u00e4ljapeetus \u2013 just sellist s\u00fcdamedaami n\u00e4is prints otsivatki! Seet\u00f5ttu prints ei reeda s\u00fcdames Odette\u2019i, sest Must Luik on t\u00f5epoolest Valge teine ja \u00fcldsegi mitte tume k\u00fclg. Nii et kui printsi eksitus v\u00e4lja tuleb, n\u00e4ib tema ahastus olevat kahekordne: \u00fchelt poolt antud s\u00f5nast taganemine ja teiselt poolt ka lustilise unistuse h\u00e4ving.<\/span><\/p>\r\n

Eelnimetatu sundis IV vaatuses j\u00e4lgima tavalisest suurema t\u00e4helepanuga printsi ja Odette\u2019i taaskohtumist. Printsi kahetsuse siiruses pole mingit kahtlust \u2013 ja see siirus, tema ehe ahastus suudab \u00fcletada Anna Roberta Odette\u2019i pettumuse. Prints haarab ta oma embusse ning teineteisele silma vaadates keerutavad nad aeglaselt paigal: iga p\u00f6\u00f6re kasvatab printsi andestussoovi, mis leiab Odette\u2019is vastukaja, kuni l\u00f5puks Odette annab printsile andeks k\u00f5ik: nii mineviku, oleviku kui ka tulevikus ette tulevad eksimused. Sellise vabandamis- ja andestusprotsessi tunnistamine on harukordne ja vaimustav kogemus. Just andestuse (mitte \u00fcksnes armastuse) v\u00e4gi on see, mis alistab Rotbart\u2019i kurjuse, sest sellel puudub kasvulava ja koht, kust kinni haarata.<\/span><\/p>\r\n

Odette saab j\u00e4lle inimeseks ning koos printsiga ootab neid ees keeruline, kuid \u00fchine tulevik kuningriigi valitsejatena \u2013 ja nii on Anna Roberta Odette elav kinnitus Paulo Coelho s\u00f5nadele \u00abZahirist\u00bb: andestuse j\u00f5ud, mis ilmneb armastuse kaudu, suudab elu positiivses suunas muuta.<\/span><\/p>","protected":false},"excerpt":{"rendered":"

Heili Einasto, Postimees 3. m\u00e4rts 2020 https:\/\/leht.postimees.ee\/6914083\/andestuse-alistav-vagi Iga uue tantsija tulek repertuaaris olevasse lavastusse toob v\u00e4lja selle uued tahud ning annab v\u00f5imaluse uuesti m\u00f5testada vana tuntud lugu. Asi muutub veelgi huvitavamaks, kui rollideb\u00fc\u00fcdi teeb meie oma balletikooli kasvandik, kes tuttav juba \u00f5pingute p\u00e4evilt. Just selline on lugu Anna Roberta [Lahesoo]* puhul, kelle kaunis elegantne kuju,…<\/p>","protected":false},"author":1,"featured_media":4173,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[23],"tags":[24],"class_list":["post-3932","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-meedia","tag-meedia"],"yoast_head":"\nAndestuse alistav v\u00e4gi - Odette-Otilie kaksikrollist Anna Roberta esituses<\/title>\n<meta name=\"description\" content=\"Anna Roberta Odette oli elav kinnitus, et andestuse j\u00f5ud, mis ilmneb armastuse kaudu, suudab elu positiivses suunas muuta.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/annaroberta.com\/en\/meedia\/andestuse-alistav-vagi\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Andestuse alistav v\u00e4gi - 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Asi muutub veelgi huvitavamaks, kui rollideb\u00fc\u00fcdi teeb meie oma balletikooli kasvandik, kes tuttav juba \u00f5pingute p\u00e4evilt. Just selline on lugu Anna Roberta [Lahesoo]* puhul, kelle kaunis elegantne kuju,...","comment_info":"0","_links":{"self":[{"href":"https:\/\/annaroberta.com\/en\/wp-json\/wp\/v2\/posts\/3932","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/annaroberta.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/annaroberta.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/annaroberta.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/annaroberta.com\/en\/wp-json\/wp\/v2\/comments?post=3932"}],"version-history":[{"count":6,"href":"https:\/\/annaroberta.com\/en\/wp-json\/wp\/v2\/posts\/3932\/revisions"}],"predecessor-version":[{"id":4263,"href":"https:\/\/annaroberta.com\/en\/wp-json\/wp\/v2\/posts\/3932\/revisions\/4263"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/annaroberta.com\/en\/wp-json\/wp\/v2\/media\/4173"}],"wp:attachment":[{"href":"https:\/\/annaroberta.com\/en\/wp-json\/wp\/v2\/media?parent=3932"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/annaroberta.com\/en\/wp-json\/wp\/v2\/categories?post=3932"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/annaroberta.com\/en\/wp-json\/wp\/v2\/tags?post=3932"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}