{"id":3882,"date":"2017-06-01T18:00:40","date_gmt":"2017-06-01T18:00:40","guid":{"rendered":"https:\/\/annaroberta.com\/?p=3882"},"modified":"2021-11-08T20:09:55","modified_gmt":"2021-11-08T20:09:55","slug":"uute-tantsijate-tulek","status":"publish","type":"post","link":"https:\/\/annaroberta.com\/en\/meedia\/uute-tantsijate-tulek\/","title":{"rendered":"Uute tantsijate tulek"},"content":{"rendered":"
Heili Einasto, Postimees 1. juuni 2017<\/h5>\r\n\r\n\r\n\r\n
https:\/\/kultuur.postimees.ee\/4132293\/uute-tantsijate-tulek<\/a><\/h6>\r\n\r\n\r\n\r\n
Igal kevadel annab Tallinna Balletikool Estonia teatris galaetenduse, mis tutvustab l\u00f5petajaid ja nooremaid \u00f5ppureid, andes n\u00f5ndaviisi v\u00f5imaluse j\u00e4lgida noorte arengut. T\u00e4navu said lisaks klassikalise balleti suuna l\u00f5petajatele balletikoolist esimest korda diplomi ka kaasaegsele tantsule keskendunud noored.<\/h6>\r\n\r\n\r\n\r\n

Kaasaegse tantsu lisamine \u00f5ppekavasse, nentis Tallinna \u00dclikooli balleti\u00f5ppej\u00f5ud Irina P\u00e4hn, on andnud hea tulemuse, mis eriti h\u00e4sti p\u00e4\u00e4ses m\u00f5jule Marina Kesleri l\u00f5petajatele loodud lavastuses \u00abT\u00fctarlaps ja surm\u00bb. \u00abNende noorte kehad m\u00f5tlevad juba n\u00fc\u00fcdisaegselt, kaasaegne tants on neile nagu emakeel, milles nad m\u00f5juvad loomulikult. Veel m\u00f5ned aastad tagasi ei oleks Kesleri balleti esitus olnud nii veenev,\u00bb r\u00f5hutas Irina P\u00e4hn.<\/p>\r\n\r\n\r\n\r\n

Peale selle on balletikool teinud suurt t\u00f6\u00f6d noorte \u00fclakeha \u2013 k\u00e4teplastika, pea- ja kaelahoiu ning rindkere \u2013 v\u00e4ljendusrikkuse arendamisel, kiitis Irina P\u00e4hn, kuid tundis muret, et h\u00fcppetehnika on teinud taandarengut: \u00abLapsed ei saa maast lahti ja seda igas vanuses.\u00bb<\/p>\r\n\r\n\r\n\r\n

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Jaan M\u00e4nnima.
FOTO: R\u00fcnno Lahesoo<\/span><\/em><\/code><\/figcaption>\r\n<\/figure>\r\n\r\n\r\n\r\n

L\u00f5petajate jaoks loodud \u00abT\u00fctarlaps ja surm\u00bb, milleks oli kasutatud Franz Schuberti samanimelist keelpillikvartetti, t\u00f5i noorte tantsijate isikup\u00e4ra h\u00e4sti esile. Teatri pressiteade toonitas, et Marina Keslerile pakkus teos v\u00e4ljakutse luua klassikalise ja kaasaegse tantsu tehnikate s\u00fcntees, mille abil ta r\u00f5hutas m\u00f5tet, et inimesel on v\u00f5ime oma saatust muuta. Kui Schuberti teoses t\u00fctarlaps sureb, siis Kesleri lavastuses suudab t\u00fctarlaps surma endast eemale t\u00f5rjuda ja leida elu.<\/p>\r\n\r\n\r\n\r\n

\u00abMulle meeldis see l\u00f5pp, et t\u00fcdruk v\u00f5idab surma,\u00bb r\u00f5hutas Irina P\u00e4hn, \u00absee on hea l\u00f5pp t\u00e4nases hirme t\u00e4is maailmas. Samas ei olnud siin paatost ega v\u00f5ltsoptimismi, l\u00f5pp kasvas lavastusest v\u00e4lja v\u00e4ga loomulikult.\u00bb T\u00fctarlapse rollis astus \u00fcles Laura Ragel \u2013 v\u00e4ike, kiire ja s\u00e4delev tantsija, kellel on potentsiaali s\u00e4ra n\u00f5udvate rollide peale. Ta n\u00e4itas, et suudab olla liikumises nii terav ja nurgeline kui ka pehme ja \u00fcmar, \u00abtemas on tugev artistlik v\u00f5imekus ja laval olemine on talle loomulik\u00bb, kiitis Irina P\u00e4hn.<\/p>\r\n\r\n\r\n\r\n

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Anna Roberta Lahesoo ja Marcus Nielsen Marina Kesleri lavastuses \u00abT\u00fctarlaps ja surm\u00bb
FOTO: R\u00fcnno Lahesoo<\/span><\/em><\/figcaption>\r\n<\/figure>\r\n\r\n\r\n\r\n

T\u00fctarlapse vastase Surma rollis oli Anna Roberta Lahesoo, kelles on j\u00f5udu, suursugusust ja kaunist joont. Kuigi ta teostas efektselt dueti \u00abKorsaaris\u00bb, n\u00e4itas ta Surma rolliga, et temas on potentsiaali saada tantsijaks, keda Estonia h\u00e4dasti vajab \u2013 kunstnikuks, kes kannaks nii vaimselt kui ka f\u00fc\u00fcsiliselt v\u00e4lja n\u00e4iteks Medeia rolli.<\/p>\r\n\r\n\r\n\r\n

Tema kavalerina nii \u00abKorsaaris\u00bb kui ka \u00abT\u00fctarlapses ja surmas\u00bb s\u00e4ras Taras Titarenko, meeldivate proportsioonidega, v\u00f5imekas ja artistlik noormees, kellest v\u00f5ib vormida esitantsija. \u00abKorsaari\u00bb tehniliselt keerukates variatsioonides kasvas ta lausa publiku silme all ning \u00abT\u00fctarlapses ja surmas\u00bb demonstreeris lavalist k\u00fcpsust.<\/p>\r\n\r\n\r\n\r\n

Teine l\u00f5petav noormees \u2013 Jaan M\u00e4nnima \u2013 on natuurilt ja f\u00fc\u00fcsiselt \u00f5rnem, kuid lausa s\u00e4ras Kesleri lavastuses paindlikkuse ja plastilisusega. On tunda, et temast v\u00f5iks saada just n\u00fc\u00fcdisballettide hea interpreet.<\/p>\r\n\r\n\r\n\r\n

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Inessa Glaz\u00f5rina ja Jaan M\u00e4nnima.
FOTO: R\u00fcnno Lahesoo<\/span><\/em><\/figcaption>\r\n<\/figure>\r\n\r\n\r\n\r\n

Kesleri Mats Ekist ja Jiri Kylianist t\u00f5ukuv nurgeline ja erinevatele impulssidele \u00fclesehitatud liikumiskeel sobis noortele tantsijatele, kes r\u00e4\u00e4kisid innukalt ja meelsasti selles kelles ning n\u00e4isid nautivat oma lavaelu. \u00abOli tunda, et nad valdavad seda keelt ja neil ei ole probleemi p\u00f5randale minekute v\u00f5i impulsside kasutamisega,\u00bb oli rahul Irina P\u00e4hn.<\/p>\r\n\r\n\r\n\r\n

V\u00f5is m\u00e4rgata, et Kesler on loonud balleti noortele nende vanust tajudes \u2013 ja noortel oli huvitav elada tema loodud liikumisfraasides, tuua v\u00e4lja efektsus, mis leidub neis mitte alati k\u00f5ige originaalsemates, kuid leidlikes jadades. Vaadates seda balletti ja m\u00f5eldes ka varasemate balletikooli galade jaoks loodud teostele, tekkis m\u00f5te, et neid tuleks rohkem n\u00e4idata kui vaid korra: nii oleks noortel tantsijatel v\u00f5imalus oma rollides kasvada, samuti saaksid uued noored oma oskusi nende najal proovile panna.<\/p>\r\n\r\n\r\n\r\n

\u00abOn piisavalt valmis materjali, mis aitaks areneda balletikooli lastel ja mis pakuks huvi ka hulgale inimestele: vanematele, s\u00f5pradele ja teistele noortele,\u00bb r\u00f5hutas Irina P\u00e4hn, \u00absee aitaks balletti paremini esile t\u00f5sta kaasaegse tantsu k\u00f5rval.\u00bb Kunagi olid balletikooli lavastused teatri repertuaaris ning seda traditsiooni v\u00f5iks j\u00e4tkata, eriti olukorras, kus Estoniasse v\u00f5eti lausa viis l\u00f5petajat, mis on viimaste aastate suurim arv! Peale nimetatud neliku ka Inessa Glaz\u00f5rina, kes koos Jaan M\u00e4nnimaga esitas Tiit Helimetsa just temale loodud \u00abAdagiot\u00bb Arvo P\u00e4rdi muusikale, j\u00e4\u00e4des meelde klassikalise ilu ning puhaste joontega.<\/p>\r\n\r\n\r\n\r\n

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Anna Roberta Lahesoo ja Taras Titarenko.
FOTO: R\u00fcnno Lahesoo<\/span><\/em><\/figcaption>\r\n<\/figure>\r\n\r\n\r\n\r\n

\u00abL\u00f5petajad on head,\u00bb oli Irina P\u00e4hn rahul, \u00abm\u00f5lemad poisid on huvitavad, neil on perspektiivi, tunda on potentsiaali nii kehas kui vaimus. T\u00fcdrukutest r\u00e4\u00e4kimata \u2013 nad \u00e4sja l\u00f5petasid kooli, kuid neis on kunstilist k\u00fcpsust, v\u00f5ime kasvada rikasteks kunstnikeks.\u00bb Loodame, et teater oskab seda potentsiaali n\u00e4ha, rakendada ja arendada, andes neile rolle, mille najal kasvada.<\/p>\r\n\r\n\r\n\r\n

Kui vestlesime talvel teatri kauaaegse tantsija ja repetiitori Aime Leisiga, r\u00f5hutas ta, kui oluline on noortele v\u00f5imekatele tantsijatele anda v\u00f5imalusi soleerimiseks. \u00abSelliseid noori ei tohi j\u00e4tta liiga kauaks r\u00fchma, see l\u00e4mmatab. R\u00fchmatantsijalt oodatakse sulandumist gruppi ja \u00fchtlust; ta harjub teiste tantsijate toega ning kui pikalt ainult r\u00fchmas tantsinul on raske soleerima minna. Seet\u00f5ttu peab andekaid noori kohe peale l\u00f5petamist rakendama soolorollides.\u00bb<\/p>\r\n\r\n\r\n\r\n

J\u00e4\u00e4b loota, et rahvusballeti juhtkond usaldab staa\u017eika \u00f5petaja soovitust ning j\u00e4rgmisel hooajal v\u00f5ime k\u00f5ikide t\u00e4naste teatrisse v\u00f5etud l\u00f5petajate nimesid trupi repertuaaris olevate ballettide nimeliste rollide t\u00e4itjaina n\u00e4ha.<\/p>\r\n\r\n\r\n\r\n

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  • \r\n
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    Balletikooli 2017. aasta l\u00f5petajate \u00fchispilt.
    FOTO: R\u00fcnno Lahesoo<\/span><\/em><\/figcaption>\r\n<\/figure>\r\n<\/li>\r\n<\/ul>\r\n<\/figure>\r\n\r\n\r\n
    \r\n\r\n\r\n

    Tallinna Balletikooli gala<\/p>\r\n\r\n\r\n\r\n

    Kavas olid katkendeid balletiklassikast ning Marina Kesleri uuslavastus \u00abT\u00fctarlaps ja surm\u00bb Franz Schuberti muusikale<\/p>\r\n\r\n\r\n\r\n

    Etenduses osalesid kooli noorema ja vanema astme \u00f5pilased ning klassikalise balleti eriala l\u00f5petajad:<\/p>\r\n\r\n\r\n\r\n

    Anna Roberta Lahesoo, Laura Ragel, Serafima Kolodkina, Innessa Glaz\u00f5rina, Marfa Sayapina (Kaja Kreitzbergi erialaklass),<\/p>\r\n\r\n\r\n\r\n

    Jaan M\u00e4nnima, Taras Titarenko (Viesturs Jansonsi erialaklass),<\/p>\r\n\r\n\r\n\r\n

    ja kaasaegse tantsu eriala l\u00f5petajad:<\/p>\r\n\r\n\r\n\r\n

    Anta Kur\u00f5ljova, Elise Pottmann, Elina Masing, Ulla-Mari Tammela, Aglaia Fedotova (\u00f5petajad Helen Veidebaum, Maria Uppin, Kristin Pukka, Raho Aadla, Joonas Tagel ning kursusejuhendaja Kaja Kreitzberg).<\/p>\r\n\r\n\r\n\r\n

    Estonia teatris 29. mail<\/p>","protected":false},"excerpt":{"rendered":"

    Heili Einasto, Postimees 1. juuni 2017 https:\/\/kultuur.postimees.ee\/4132293\/uute-tantsijate-tulek Igal kevadel annab Tallinna Balletikool Estonia teatris galaetenduse, mis tutvustab l\u00f5petajaid ja nooremaid \u00f5ppureid, andes n\u00f5ndaviisi v\u00f5imaluse j\u00e4lgida noorte arengut. T\u00e4navu said lisaks klassikalise balleti suuna l\u00f5petajatele balletikoolist esimest korda diplomi ka kaasaegsele tantsule keskendunud noored. Kaasaegse tantsu lisamine \u00f5ppekavasse, nentis Tallinna \u00dclikooli balleti\u00f5ppej\u00f5ud Irina P\u00e4hn, on andnud…<\/p>","protected":false},"author":1,"featured_media":3885,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[23],"tags":[24],"class_list":["post-3882","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-meedia","tag-meedia"],"yoast_head":"\nUute tantsijate tulek - Anna Roberta<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/annaroberta.com\/en\/meedia\/uute-tantsijate-tulek\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Uute tantsijate tulek - Anna Roberta\" \/>\n<meta property=\"og:description\" content=\"Heili Einasto, Postimees 1. juuni 2017 https:\/\/kultuur.postimees.ee\/4132293\/uute-tantsijate-tulek Igal kevadel annab Tallinna Balletikool Estonia teatris galaetenduse, mis tutvustab l\u00f5petajaid ja nooremaid \u00f5ppureid, andes n\u00f5ndaviisi v\u00f5imaluse j\u00e4lgida noorte arengut. T\u00e4navu said lisaks klassikalise balleti suuna l\u00f5petajatele balletikoolist esimest korda diplomi ka kaasaegsele tantsule keskendunud noored. 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T\u00e4navu said lisaks klassikalise balleti suuna l\u00f5petajatele balletikoolist esimest korda diplomi ka kaasaegsele tantsule keskendunud noored. Kaasaegse tantsu lisamine \u00f5ppekavasse, nentis Tallinna \u00dclikooli balleti\u00f5ppej\u00f5ud Irina P\u00e4hn, on andnud...","og_url":"https:\/\/annaroberta.com\/en\/meedia\/uute-tantsijate-tulek\/","og_site_name":"Anna Roberta","article_published_time":"2017-06-01T18:00:40+00:00","article_modified_time":"2021-11-08T20:09:55+00:00","og_image":[{"width":1024,"height":749,"url":"https:\/\/annaroberta.com\/wp-content\/uploads\/2021\/08\/Anna-artikkel-1-1024x749.png","type":"image\/png"}],"author":"Anna Roberta","twitter_card":"summary_large_image","twitter_misc":{"Written by":"Anna Roberta","Est. reading time":"5 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/annaroberta.com\/en\/meedia\/uute-tantsijate-tulek\/#article","isPartOf":{"@id":"https:\/\/annaroberta.com\/en\/meedia\/uute-tantsijate-tulek\/"},"author":{"name":"Anna Roberta","@id":"https:\/\/annaroberta.com\/#\/schema\/person\/76369af4c4095611389eacea884062e4"},"headline":"Uute tantsijate tulek","datePublished":"2017-06-01T18:00:40+00:00","dateModified":"2021-11-08T20:09:55+00:00","mainEntityOfPage":{"@id":"https:\/\/annaroberta.com\/en\/meedia\/uute-tantsijate-tulek\/"},"wordCount":1016,"publisher":{"@id":"https:\/\/annaroberta.com\/#\/schema\/person\/76369af4c4095611389eacea884062e4"},"keywords":["meedia"],"articleSection":["MEEDIA"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/annaroberta.com\/en\/meedia\/uute-tantsijate-tulek\/","url":"https:\/\/annaroberta.com\/en\/meedia\/uute-tantsijate-tulek\/","name":"Uute tantsijate tulek - 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T\u00e4navu said lisaks klassikalise balleti suuna l\u00f5petajatele balletikoolist esimest korda diplomi ka kaasaegsele tantsule keskendunud noored. Kaasaegse tantsu lisamine \u00f5ppekavasse, nentis Tallinna \u00dclikooli balleti\u00f5ppej\u00f5ud Irina P\u00e4hn, on andnud...","comment_info":"0","_links":{"self":[{"href":"https:\/\/annaroberta.com\/en\/wp-json\/wp\/v2\/posts\/3882","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/annaroberta.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/annaroberta.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/annaroberta.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/annaroberta.com\/en\/wp-json\/wp\/v2\/comments?post=3882"}],"version-history":[{"count":3,"href":"https:\/\/annaroberta.com\/en\/wp-json\/wp\/v2\/posts\/3882\/revisions"}],"predecessor-version":[{"id":4264,"href":"https:\/\/annaroberta.com\/en\/wp-json\/wp\/v2\/posts\/3882\/revisions\/4264"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/annaroberta.com\/en\/wp-json\/wp\/v2\/media\/3885"}],"wp:attachment":[{"href":"https:\/\/annaroberta.com\/en\/wp-json\/wp\/v2\/media?parent=3882"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/annaroberta.com\/en\/wp-json\/wp\/v2\/categories?post=3882"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/annaroberta.com\/en\/wp-json\/wp\/v2\/tags?post=3882"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}